Joseph Ijoyemi on Sculpture, Sound & Storytelling

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In this Meet the Maker series, Joseph Ijoyemi talks all things sculpture, sound and storytelling. Inspired by his Swedish-Nigerian roots and childhood in Lagos, Joseph shares how he went from painting to mixed media installations, what a typical day in his studio looks like, and his top tips for anyone curious about a creative path.

Can you introduce yourself and your craft practice?

I’m Joseph Ijoyemi, a Swedish-Nigerian artist and craftsperson living in London. My practice spans sculpture, installation, and sound — always rooted in storytelling and emotional connection. I’ve been creating since I was a child growing up in Lagos, where I was surrounded by my grandfather’s rich art collection. That environment really shaped how I see the world and the way I work with materials today.

Sketching is always my starting point — it’s how I process ideas. Every piece begins with a drawing, and from there, I bring it to life through physical making. I work with a mix of mediums like wood, fabric, metal and sound, depending on what the story calls for. I also often use found objects — things with a history — to retell stories and breathe new life into forgotten materials. I’m especially interested in how craft can express identity and movement, social issues and how the human form carries emotion and history.

Whether I’m working on a large public sculpture or a more intimate studio piece, I always try to create work that feels alive — something people can see themselves in or feel connected to.

What drew you to this craft, and how did you get started?

I actually started out as a painter — painting was my main medium for a long time. About four years ago, that began to shift. I started collaborating with museums and digging into archives and historical objects. That experience really opened my eyes to the power of materiality and craft in telling layered, timeless stories. It was a natural transition from painting into sculpture and object-making — and it’s now the core of my practice.

Can you describe a typical day in your studio or workshop?

My studio is my sanctuary — a space of peace. I always set the mood with music, which helps the ideas flow and keeps me grounded in the moment. Depending on the day, I might be sketching out new concepts, welding metal, assembling mixed media elements, or just experimenting with different textures and forms. It’s a place of constant curiosity.

Have you faced any challenges in your career? How did you overcome them?

Many times — from creative blocks to a lack of opportunities. These challenges are part of the journey. I’m a spiritual person, so I often leave things in God’s hands. At the same time, I’ve learned the value of sharing what I’m going through with trusted friends and family. Having that support network helps me stay focused and keep going.

What advice would you give to someone interested in a craft career?
Stay curious. Keep exploring. Try different materials, follow what excites you, and don’t be afraid to make mistakes. Also — and this is a big one — don’t get too caught up in social media. It can be inspiring, sure, but real growth comes from time spent with your craft, not the algorithm.

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